There in thought…

Tube station hello

Tube station hello

Yesterday i felt a bit too sad to post this phone snap… Yes, i admit i had this lovely idea of RA decked out in evening wear attending the celebration with his peers and just getting ย the well deserved praise for his extraordinary Proctor in person.

But it can’t be, as more good work is actually happening pretty far away. Double pity as i think it will be a really nice and warm weekend in London…

Not that i am even close, i too am missing out on the excitement of being thereabouts and living it out as it happens. Away to see family at the moment but it seems like even as i was leaving i was being reminded of it! This is taken around 5am in the tube station where i picked up my train to Heathrow… I was trying not to fall asleep on my feet and dragging my suitcase behind me … realised i had a near 20 min wait for the first tube i sighed and turned around looking for a place to sit and saw this! It is absolutely massive, hope even the blurry phone pic manages to convey that.

I saw several on my way, far out from town centre, it is a big deal ๐Ÿ™‚

I meant to bring you some more substantial posts full of RA love these days but unfortunately things are not really going as i hoped at the moment, all my energies have to be with family.

But at least i have the time to remind myself, regardless of what will be the outcome of tomorrow night, that the Crucible changed my life and many other peoples’, that it was praised and appreciated everywhere in London, press and critics raved about it, the audiences smiled and sighed and cried through it and gave it many standing ovations.

It was so well received that the play has been nominated for an Olivier and he will always know that this is what the professional world thought of his Proctor (Olivier nomination wording):

“Richard Armitage for The Crucible at Old Vic


Armitage thoughts on plays, acting and more (Olivier QA)

From the Oliviers Q&A today:

horsey pic:

Glad the rubbish brekkie didn’t prevent the start of a great artistic partnership ๐Ÿ˜‰

still mysterious…

This really was …

The words that make a role..

The new Armitage motto : Play hard or go home!

I got all soppy at this, i feel proud too i have to say..

Yess, yes yesss…. i want him to do..

Macbeth too!! in London .. please, please please!!!

The magic on stage..

On the wonderful Crucible ensemble..

It’s what i too liked most about Proctor..

More about on stage sparks..

and this is no surprise ๐Ÿ™‚

and i like the fearlessness of this answer, even actors may feel bare in close-ups but this got us closer to the truth so i am glad he thinks this:

More Miller and ahaaa, he has seen it!

More Crucible and Proctor ๐Ÿ™‚

I think we share a bit of the feeling, still going back to Proctor 6 months later….

and last thoughts on Crucible message…

And one of those, which i was missing ๐Ÿ™‚ Happy Easter to you too RA

Olivier nominations 2015 x2!

–> Update, because i want to keep Yael Farber’s generous and thoughtful words with the news of the nomination so i can always go back to this post and remember the wonderful feeling of the day ๐Ÿ™‚

What a day! Congratulations first of all to all the nominees!! Well done and it is a great achievement ๐Ÿ™‚ Details of all nominations on the Oliviers page. I’ve tried not to think too much about awards as i’m not really objective in my opinions and i tend to care too much if people/stuff i like are in them and care too little if they are not (yes, sour grapes and all that ๐Ÿ˜‰ ). But, i live in London and see a lot of plays and operas so on some level i always get involved, i hear about things, read reviews, have my own opinions. Less so with the BAFTAs, but even there i certainly care more about the BAFTAs than i do about the Oscars these days. Mainly because they are closer to my areas of interest and work. ย The Oliviers are, as much as i understand, among the many local awards probably the most respected and coveted. Probably also because shows that tend to get generally really good reviews will be recognised at the awards, so there is a feeling of consistency. I was certainly interested this year as i’d seen more shows than usual; we’d discussed some predictions with friends, many of which were fulfilled. Some things i secretly wished would happen, but didn’t really dare to hope.. And then while being harassed from one meeting to the next on a truly horrible Monday the announcements hit and my cultural universes collided in the most amazing way! My two favourite artists in the whole wide world BOTH got nominated for an Olivier!!! Richard Armitage really, actually, wonderfully got nominated for his John Proctor in the Old Vic Crucible and… the one and only ๐Ÿ˜‰ Jonas Kaufmann got his second nomination to an Olivier for Grieux in Puccini’s Manon Lescaut & Andrea Chenier/ Giordano, both for the Royal Opera House!! I never though i’d actually get an event where my opera and theatre interests would merge, or get to write a post where they would end up sitting naturally next to each other ๐Ÿ™‚ I’ve always meant to ‘introduce’ them to each other around here but never found the time for a proper post and now reality has taken me by surprise! ๐Ÿ™‚ Wonderfully so! I’m very pleased. Some things i understand much better, like the opera scene –> for one, it is much smaller than the theatre scene and i just have many more years of experience (i’ve guessed and actually agree with 90% of the nominations there – doesn’t make me any less happy to see it confirmed!). I am glad Richard Jones also gets some recognition, good opera directors like him are very few and far between and we need to really celebrate them. Especially considering the amount of tosh i’ve seen lately even at big international houses like the ROH. I can’t even begin to say how many times i have sat in a theatre recently and wished the opera directors were half as good as the theatre directors of the pieces if was seeing. And a lot of the plays were in modern settings, but none dipped into the pretentious, self-indulgent, navel-gazing concepts that i am frankly sick of seeing on the opera stage! ย Having said that, all opera production nominated deserve their praise, they were good ones and we need more of these! As for Jonas himself, well in a way it is long overdue really, i think he actually deserved it back in 2007 when he was Don Jose in Carmen at the ROH, which was certainly some of the best singing in this role i ever heard and without a doubt the best acting of it on an opera stage ๐Ÿ™‚ Not that Chenier wasn’t amazing, it certainly was some of the best singing at the ROH in years ๐Ÿ™‚ But the Oliviers are very ‘London’ and West- end. Weirdly it can take some time even for an international star to become a household name in London, an integral part of its artistic live. And i think Jonas truly become part of ‘London artistic life’ over the last 12 months when he’s spend more time than ever here, did two new productions very successfully, was present at all kinds of artistic events around town, sang to the locals and subscribers at the Wigmore, stepped outside the boundaries of classical music listeners on BBC Radio3 and really connected with the general public, he even got invited to Desert Island Discs! (as a friend of mine put it, it’s a sign you have ‘arrived’ in London if you are on DID!). It seems he finally has and i wouldn’t actually be surprised if he won it this time round. And he better put his tux on and come to London and be there if it happens! ๐Ÿ™‚ I know his shelves are heaving with awards but this is the Oliviers! And hey, the Olivier ceremony happens at the Royal Opera House, it’d be just like coming to his second home ๐Ÿ˜‰ and here he is, the Chenier’s last poem before the execution (it’s a cheeky filming one so that is why it is wobbly, but you’ll get the idea i think ๐Ÿ™‚ ) and here is a euronews video clip about the opera, unfortunately i can find it in many languages, but not English, this is the German version In terms of theatre there is much more variety and there are trends that can go in opposite directions. People tend to say theatre in London is more traditional, but actually it is ‘story driven’ and good story telling is paramount. Because ย of that there is maybe less appetite to ‘go crazy’ with concepts on stage which is why i think critics tend to push and favour innovation. So the directors who will manage to be innovative and modern but also tell a story well will certainly be featured significantly at awards. Acting is generally of a very high standard and there are significant amounts of new plays being written and staged. It’s probably the most competitive theatrical environment in the world and at the same time it is big business. There is old and well established acting tradition, but there is also ‘establishment’ and a constant tension with trying to be innovative, fresh, open and particularly on the talent side that is an uphill battle. There may be a slight whiff of snobbism towards actors with a TV background rather than a classical theatre path but that is easily overridden by the quality of performance and because the public tend to be experienced and knowledgeable, they are also demanding and it’s often the case that the very good plays and performances will result in extended runs. This year’s nominations are a refection of all these kinds of sometimes conflicting trends. Check out the play with by far the biggest numbers of nominations and you’ll see the push for innovation and change ๐Ÿ™‚ And the wide spread of awards among plays is surely an attempt to give recognition to many outstanding performances and plays during last year. (By the way Olivier nominations seem to run from the last one to the nomination day as some things i thought were highlights of last year were actually nominated in 2014 and some things nominated in 2015 i haven’t seen yet and the run is ongoing). I am very very happy that the Oliviers finally gave recognition to the Crucible! I think they wanted to send ย clear message considering what has happened at other awards in town. It’s certainly quite extraordinary how they chose to message their appreciation of the play, they decided to single out only 1 individual! Which i think is quite extraordinary in itself! “An imposing Richard Armitage starred in internationally acclaimed director Yaรซl Farberโ€™s chillingly atmospheric, exhilarating take on Arthur Millerโ€™s classic American drama.” Although they give credit to Yael for the production, she’s actually not individually nominated under directors. I do think that is a pity as i think she was a significant catalyst in the final product. But they singles out one extraordinary performance: “Richard Armitage provided a colossal presence at the heart of The Crucible, playing a prowling John Proctor, whose very being balanced on a knife edge.” Considering how often Richard has stressed that for him this was an ensemble work i wonder how this sits with him, i don’t think he fully agrees with them ๐Ÿ™‚ ย But however he may feel about being singled out like this, it still is our right as well as the Olivier’s choosers to point the finger at him and say: ‘accept it or not, we feel you were outstanding and special’ (deal with it!):-) Let’s remember what Richard thought of John Proctor (DT interview for the cinema) – and the look in his eyes pretty much tells the story of how much Proctor meant to him ๐Ÿ™‚ And here are some more insights from a recent interview in Theatermania. (try that kind of schedule, opera singers of the world ๐Ÿ˜‰ …just kidding!) I don’t know why they chose the way they did, but i fully agree about the extraordinary and unique quality of his individual performance. And i agree from the perspective of having seen quite a few of the nominees of 2014 as well as 2015. For me the Crucible means more than the other nominees, but that’s also because the play itself is closer to my heart as a story in itself. Although many of the others fascinated and interested me and even touched me, this one reached deepest. I don’t know who will win, i can sort of make an educated guess, which wouldn’t surprise me. But of course a little sparkle of hope is always there, who knows ๐Ÿ™‚ I am just pleased that the acting community has given him a big thumbs up for his talent and exceptional work. Come back and do more, Richard! There are other nominations i’m also very happy about, here is just one of many: Wheeldon’s ballet interpretation of Shakespeare’s famous Winter’s Tale was one of my dance highlights from last year. A classical, full length narrative ballet is a rarity these days and everything about this was fantastic, from the original music to the brilliant choreography and dancing. It was the RB at its very very best!ย  But, there are also some unforgivable omissions, one of which is really huge and i am very sure i will not be the only one asking why??? Helen McCrory’s breathtaking, shattering Medea at NT is missing from the best actress nominations. I’ve seen 3 Greek plays in the past year and this was by far the best production and the best performance (much much more powerful in my opinion than the Electra at the Old Vic… ‘establishment’). I also find it rather sad that Adrian Schiller’s Hale isn’t on the supporting actors nominations; there are many ensemble members of the Crucible worthy of recognition but in comparison to other performances nominated in the category i thought his was much more powerful, human and convincing. I also thought the lighting for the Crucible was by far the best i’ve seen … sadly i think these details have fallen victim to the perceived ‘traditional’ nature of the production and the general desire to recognise innovation… But, there is more recognition than i was expecting and i am very happy about that. I’m less happy that fate has given me this gift and at the same time delivered a strong blow to my backside…. So, given my two boys will be celebrated in London in April you’d think i’d be there to say a Bravo and celebrate as well, but no.. the ceremony happens on a day i’m actually not even in the UK and i won’t even be able to watch it.ย ย It’s a downer of incredible proportions as the likelihood of both of them being at the same event ever again is a big fat zero… The one thing that would maybe compensate me for not being able to be in London for this is both of them winning it! Now i wonder what are the chances of that? ๐Ÿ™‚ Crossing fingers… and toes…